| Title |
Recording Label |
Works Recorded |
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Art in Roman Life: Villa to Grave (DVD in book)

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L'Erma di Bretschneider (publisher) (2009) |
- Tesserae: Six Mosaics of Ancient Rome, for flute, viola, and guitar
- Four Views of Pompeii (string quartet and harp)
Remastered and reissued from Fireflies and Fiery and Still Night CDs (see below), with thanks to Fleur de Son Classics and Capstone Records for permissions. |
|
Becoming Charley Chase (DVD)
Original scores for silent film comedies.

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Allday Entertainment (distributed by VCI) (2009) |
|
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Fireflies: Chamber Music by Andrew Earle Simpson
The Red Cedar Trio

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Fleur de Son Classics, FDS57985 (2008) |
- Fireflies: A Folk Set for Flute and Guitar
- Tesserae: Six Mosaics of Ancient Rome, for flute, viola, and guitar
- American Gothic Suite: Theme and Variations on Grant Wood's Painting, for flute, viola, and guitar
Click here to read the American Record Guide review of "Fireflies" (Sept.-Oct.2009) |
|
American Slapstick, Volume 2 (DVD)
Original piano scores for silent film comedies

On sale at Amazon.com
|
Allday Entertainment (distributed by Facets) (2008) |
- By the Sad Sea Waves (6 min), pno solo
- Whirl O' the West (5 min), pno solo
- A Hash House Fraud (11:30), pno solo
From an online review of American Slapstick, Volume 2:
"Musical accompaniment is great, provided by such contemporary masters as Ben Model, Blaine Gale, Andrew Earle Simpson, Eddie Uslan, Jay Warren, and David Drazen. Inappropriate scores can ruin a silent movie, and these composer/musicians actually enhance each entry in this collection. A couple of the films do have generic silent movie music, the type which was found on most 16mm silent comedies featuring musical accompaniment, but the majority of the films here have scores composed by the accompanist."
--James L. Neibaur, roguecinema.com
Click here to read the full review online.
|
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The Harry Langdon Collection: Lost and Found (DVD)
Original scores for silent film comedies

On sale at Amazon.com
|
Allday Entertainment (distributed by Facets) (2007) |
- Soldier Man (31 min.), ch ens
- Lucky Stars (21 min.), ch ens
- Hansom Cabman (20 min.), ch ens
- Picking Peaches (15 min.), jazz trio
- His New Mama (20 min.), jazz trio
- First 100 Years (15 min.), pno solo
- Plain Clothes (20 min.), pno solo
- Horace Greeley, Jr. (2 min.), pno solo
Musicians and ensembles: Andrew Earle Simpson, piano The Snark Ensemble Redwine Jazz |
|
A Fiery and Still Night: Chamber Music by Andrew Earle Simpson

On sale at Tower Records online. |
Capstone Records, CPS-8767 (2006) |
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Four Views of Pompeii (string quartet and harp)
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Applets (double bass and piano)
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Cloisters (guitar solo)
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Flower-Terrible Memories (piano solo)
American Record Guide (January/February 2007) writes of Flower-Terrible Memories:
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"…crashing splendidly at both ends of the register, dissipating into fragile fallout in the middle and collapsing onto rumbling low notes inside the piano and out by the end. And that was only the first movement."
-
"The pianist, Brian Ganz, was thrilling."
Of the disc as a whole:
|
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Exhortations: Virtuoso Solo Instrumental and Chamber Music of Andrew Earle Simpson

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Athena Records, Athena 106 (1998) |
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Chamber Concerto (fl, cl, vn, vc, pno, perc)
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Summer-Night Songs (soprano saxophone, hp)
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Exhortation I (alto saxophone solo)
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Exhortation II (oboe solo)
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Exhortation III (double bass solo)
American Record Guide (November/December 1999) writes of the disc as a whole:
- "It is very well done, and the composer gets fine performances from his players. This would be a fine addition to the collection of any college music library--students looking for new and unusual pieces to play should have access to it."
The Double Bassist (Spring 1999) writes of Exhortation III:
-
"But Exhortation III for double bass is the most extended solo piece. Of striking technical demand, it finds a true champion in its dedicatee, Michael Cameron, professor of bass at the University of Illinois at Urbana-Champaign. It exploits to the full the technical and expressive potential of the instrument. Cameron demonstrates awesome mastery of its substantial left- and right-hand challenges, not least its unusual harmonics and fiendish bravura passage-work." |
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America’s Millennium Tribute to Adolphe Sax, Volume II

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Arizona University Recordings, AUR CD 3068 (1998): compilation |
The Double Bassist (Spring 1999) writes of Exhortation I (as recorded on the Exhortations disc, above; the recording was re-released on this Adolphe Sax series disc):
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